This month’s newsletter gets back to the basics of screen making. Spring is the start of the busy season in screen printing with new companies opening their doors and new employees that need to know how to make a screen. Not just any scr...
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Usando Murakami Película
Plantillas de Película Gruesa de Murakami abren un gran rango de técnicas de impresión que pueden mejorar los gráficos de siempre y dar nuevas ofertas de impresión a sus clientes. La Película Gruesa de Murakami tiene un rango de grosor de película de 100-1000 micras... Continue ReadingPantallas de Revestimiento Para Resultados Consistentes
Coating Screens for Consistent Results We visit many shops each year to evaluate stencil issues and to shed some light on the various processes involved in making screens. Larger shops often have automatic coaters while smaller shops perform hand coating. First the... Continue ReadingMis pantallas no reclamarán fácilmente ¿Por qué?
My Screens Won’t Reclaim Easily, Why? First what do you clean your screens with? What does your screen cleaner have to do with screen reclaiming you may wonder? Well emulsions when underexposed are still sensitive to both light and solvent based chemistry which can... Continue ReadingExposure Lamp Comparison
Exposure Systems Your exposure system determines your success screen printing. Case Study: I once owned the finest automatic presses available, had a state of the art computer graphic system, and a sales force that filled my shop with orders, but never understood why... Continue ReadingImagen contra Exposición
Exposición de Pantalla contra Imagen Directa a la Pantalla:Completar la exposición de la pantalla contra la imagen directa en la pantalla nos da dos resultados muy diferentes durante la producción. Empecemos por el principio para ver cómo es que esta diferencia es,... Continue Reading
